分割調波 ８ ・ DIVISIONAL HARMONICS 8
石川源晃著
分割調波の特徴の一つに度数域の利用があります。度数域はアラビア占星学の影響であると考えられています。分割調波はアラビア
占星学の影響を受けてはいませんが、天体の数字を軌道計算で求めた値を加工して使用する関係上で実用
的に度数域の利用が可能になるのです。度数域の使用方法は特定な度数に特殊な意味を持たせて判断する
方法と特殊な意味を考えずに単純に同じ度数を持つ占星点の数を比較して同じ数字の同調の効果を考える
方法との二つの使用方法があります。
The DEGREE AREAS are widely employed in the Arabic astrology. Although the DH art, or the art
of Divisional Harmonics has no relation to the old Arabic astrology, however, the astrological
point in the DH art that is calculated on the natal position of planet will be easy to refer
the use of DEGREE AREAS in the prediction performed by astrology found. Two types of the art of
DH in the use for the DEGREE AREAS cited. The first system has the traditional DEGREE AREAS that
specify a definite degree of figure with the significant implication given. The second system
is newly proposed that to find any figure which forms the majority of set when we compare the
multiple number of DH charts in comparison. The later will be useful to find the RESONANCE
for the study of compatibility or affinity concealed among the plurality of persons.
伝統的な度数域は7度と8度を幸福な度数、14度と15度を安定の度数、17度と18度を災害の度数として0度と
29度を不安定な度数にします。分割調波は天体の性質を表現するため多数の数字を組み合わせるのですから、
特別な度数域に所属する数字の数を検討して出生図が災害に遭遇しやすい人物を表現することができます。
幸運の度数の取り扱いについては、分割調波が偏った表示を好まないのですから、出生図を計算して作成した
分割図の多くの数字がすべて同じ度数で占めているような人物が幸福であるとは考えられません。
In the definition of traditional system of DEGREE AREAS, the followings are suggested as, seven
and eight are the lucky connotation, fourteen and fifteen are the stable connotation, seventeen
and eighteen are the catastrophic connotation and zero and twenty nine are the unstable
connotation respectively defined. Since the DIVISIONAL HARMONICS or DH art compiles the group
of figures for representing the characters of a planet, therefore the study on the piles of
figure group with the definition of traditional system of DEGREE AREAS will be useful to
suggest the trend of the birth chart of a person that is liable to encounter a catastrophic
event in life found. With regard to the lucky degrees, we cannot say a person with full of
same figure that will disturb the balance of the art can be in a lucky life.
英国人・アディーは出生天体に3以上の整数を乗じる（掛け合わせる）ことでアディー調波を研究しまし
たが、数字の２を使用した調波の研究結果が不安定なのでアディーは第2調波の研究を放棄しました。
石川源晃は英国でアディーに直接面会をして了解を得て、その後も文通で確認しながら、アディーの第2調波の改良
を考えて、1から2までの間の分数を研究しました。以前から分数による調波の研究が存在をしましたが、多くの
欠点が指摘されていました。石川源晃は数字の2の直前の1.9999までのフラクタル数字を使用し数字の２を
避ける方法を考案し新しく分割調波を提唱しました。偶然、新しいカオス物理学の研究で
フラクタル数字が雑音の影響を避ける効果があることが発表されたので、分割調波は新しい
時代の占星学の基礎になることが判明したのです。
John M. Addey of England studied the harmonics in astrology where the integers of three or more
multiplied to the natal places of planets in astrology. He has abandoned his study on the
second harmonics as he found unpredictable instability produced in the resulted figures that
were produced by multiplying the numeral two on the natal places of planets examined. H. M.
“Gen” Ishikawa, this author, has visited England and met Addey in person who approved me to continue
the rest part of study on the second harmonics in astrology which study was previously abandoned by Addey.
With the encouragement given by Addey, Ishikawa has studied carefully the multipliers selected
from one through two in decimal numbers and found that the multipliers one through 1.999
or slightly less than two could be applicable to the art evidenced. Thus Ishikawa invented
the Divisional Harmonics in astrology In the development of new CHAOS physics after 1975,
the FRACTAL GEOMETRY
has been studied and people happen to find the FRACTAL
figures in one plus decimal numbers in the formula will be useful to avoid the involvement
NOISES in the process concerned. As the art of DIVISIONAL HARMONICS is using the FRACTAL
figures therefore the DH art will be helpful for the study of new age astrology explored with
the aid of new CHAOS PHYSICS.
